Though the house was packed audience members still found a way to dance and connect with the music. Whiteqube online: Website Facebook Twitter. The gold standard of future pop music, VNV Nation set the tone that evening by opening with Retaliate from their latest opus Transnational , also adding to the material with their previous albums Automatic , Judgment , and Praise the Fallen Taking the industry a step further as a travel enthusiast, she would one day love to afford to fly out to several Music and Film festivals.
When she is not working or at a Metal show, she spends her free time with her fur-babies. Like the in-depth, diverse coverage of Cryptic Rock? Help us in support to keep the magazine going strong for years to come with a small donation. Print page. Generally, my range of music has always been vast. I just like music that gives me a feeling. I think in the early days of VNV, it was heavily influenced by late 70s electronic music, and some industrial bands of the 80s.
I guess that was proto-techno at the time. I mean the 80s was the dance era for us. The thing is, though, it was never disconnected, like what you see in other countries. Over here, that was all part of rock culture. Then, I moved to Germany in , and continued from there. At the time, there was a fledgling club scene in North America that I think a lot of people had locked onto.
When Praise the Fallen came out in , the scene was still underground, but it resonated with people because it represented the sound they were in at the time. I regard Praise the Fallen as my first true album.
Sound-wise, it was based upon how I felt about myself at the time. Every album since has been reflection of my observation of things going on in my life, or my present observations of the world. ME: Now that Noire has been out, does it surprise you that, even though your sound has considerably evolved, much of your core fan base had stuck with you to this day? Ronan: It does. Every musician and band knows this.
There will be people who are happy with the sound of one particular album and will expect that same experience forever. Then, there are others who are interested in the music you put out next and will evolve with it. I just hope that my music coincides with their listening tastes at the time.
Our audience has grown massively ever since Matter Form came out in So many people from different regions and backgrounds were coming to our shows. But if it works, it works. ME: Going into Noire, your last album was Resonance, back in , which seemed like a pretty tough act to follow.
To be honest, I feel that it was an interesting experience for me in knowing that, regardless of the medium — in this case, an orchestra — my songs can be conveyed effectively. It was incredible to see how far I could push things, working with the arranger to see how much I could get out of that medium.
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